British Archive of Country Music

updated: 3/8/2015

Ole Buttermilk Sky
Bob Wills and his Texas Playboys – Tiffany Transcriptions

British Archive of Country Music (BACM) CD D033


In 2002 the British Archive of Country Music released this CD. BACM is an independent  label out of England that specializes in reissuing old American Country Music. They have released some interesting CDs. However, Ole Buttermilk Sky is an unfortunate mess of a CD, with a couple of intriguing tracks on it. There are 25 tracks, 23 of which are definitely from the Tiffany Transcriptions. Of the remaining two, one is from the “Presto Transcriptions”, which has been reissued a couple of times, and one is from an unknown source (but it may be a Tiffany.) Three of the Tiffany tracks have been issued before on Kaleidoscope Records. So, you end up with 20 new Tiffany tracks that had not been reissued before, plus that unknown one. Unfortunately most of the unissued tracks on this CD have been dubbed at the wrong speed and are too fast. BACM did not license this material from the current owner of the Tiffany Music Company since under European copyright law the Tiffany Transcriptions are in the public domain (not so in the United States). The notes, by Brian Golbey, are pretty skimpy and uninformative. He admits that some of these tracks may have been released before suggesting that to find out that information would be difficult.  Not really. Anyone familiar with the recordings of Bob Wills could easily have checked the ten releases of Tiffany material to see what has been released.BACM_back

The recording dates for the individual tracks are not listed but on the back it says 1945-1947.  Since the correct recording dates of 1946-1947 have been known now for over 25 years, this is just sloppy work. This CD is a poor representation of the music of Bob Wills, but allows one to hear 20 16 (in 2014 Real Gone Music issued 4 of these tracks) more Tiffany tracks plus one unknown (and I guess hearing them at the wrong speed is better than not hearing them at all). If you are a completist, you’ll probably have to get this (I did!), but if not, stay away from this one.


Here’s a track by track rundown.

1. Nobody’s Darling But Mine – Tiffany recording 05/13/1946 (Transcription 39-B) Dubbed too fast.

2. Grey Eagle – This is not a Tiffany recording, it’s from the so called “Presto Transcriptions”. It’s an instrumental fiddle tune, and it’s been dubbed too fast. Grey Eagle is in the key of A. One has to assume that since Bob’s band had a piano in it, that his fiddle was in tune with the studio piano, which was probably kept tuned pretty close to concert pitch. On this dub however, the fiddle is somewhere between B flat and B. It’s been copied too fast.

Recorded in 1949, these radio transcriptions were made for the Crosley Appliance Company but little is currently know about them. The Crosley Transcriptions, as they should really be called,  (Presto was just the name of the manufacturer that made blank, acetate transcription discs and the name Crosley apparently was not on the original discs) are filled with tremendous music, but have not been given the praise they deserve. This is due to several reasons. PRESTO BOB 3First and foremost, Tommy Duncan had left the band in 1948 and no one was going to be able to replace him, so the vocals, ranging from not too good, to not too bad (even Eldon Shamblin sings one), were just not Tommy.  The sound on the LP and CD reissues is not very good, the mix is fine, but there is no high end, no life to them, there is much distortion, the sound quality drifts in and out, and worse, most of the available dubs reissued on LP and CD were transfered too fast.   The last reason that the Crosley Transcriptions never reached the fame they deserve is that they have never been re-issued on LP or CD with an ear towards making a great set of sequenced music or packaged attractively with good notes. All though over 90 tracks from these transcriptions have been release on LP and CD over the years, it’s been done is a very haphazard way. One reason the Tiffany Transcriptions re-issues on Kaleidoscope Records were so praised is that a great deal of time was devoted to choosing the songs and the sequence they would go in plus the packaging and notes were good.

However, if you want to hear Tiny Moore, Herb Remington, Eldon Shamblin, Alex Brashear, Millard Kelso, Jesse Ashlock (fiddle), and Mancel Tierney (piano), take some of the wildest, hottest solos of their careers, backed by a solid, jumpin’,  rhythm section, the Crosleys are the place. They just cook! Some of Eldon Shamblin’s best single string solos can be found on the Crosleys. All the band instrumentals are amazing. Just either slow them down on your computer, turntable, or CD player, or just get into them being too fast (there are some at the right speed). Many of the vocal selections are of interest only to fanatics, particularly when compared to Tommy Duncan  and need to be listened to only once, unless there’s a hot solo on it. Someone needs to make new, good dubs from the original discs.  – A belated update: In 2015 the Oklahoma Historical Society released an excellent LP of perfectly remastered Crosley Transcriptions. Great sound and wonderful package. When I get around to it, I’ll write a complete post on it. Click here to learn more.

This fiddle tune, Grey Eagle, does not have any of those hot solos on it, but it’s a nice old time Texas fiddle tune played by Bob the way his dad would have played it.

3. I’ll Get Mine – Tiffany recorded 5/27/1946 (Transcription record 35-A)  Re-issued on Kaleidoscope LP F-27.

4. I’ll Keep On Loving You – I do not know where this is from. It could be a lost Tiffany. It’s the right band. Alex Brashear on trumpet is called by name, it sure sounds like Kelso on the piano, Luke Wills is singing, (there’s a train wreck between the vocal and fiddle near the end) and you can hear Jr. Barnard throw in one of his standard ending licks on guitar. This song is not listed in any of the original Tiffany Music Company recording data. However, that data was very incomplete and the best information came from playing the original acetate masters. The masters from two of the sessions were lost a long time ago and what was on them was never documented. We know that there are dubs of some unissued Tiffanys in circulation. The legendary “bus driver tapes” which have all the Tiffanys issued on transcription discs, also have at least a couple of songs that were not issued and came from the acetate masters or copies of them. Are there unissued songs from the lost masters circulating out there? Is this one of them?

5. My Brown Eyed Texas Rose – Tiffany recorded on 5/27/1946, never issued on a transcription disc. First released on Kaleidoscope LP F-21

6. Moonlight on the Prairie – Tiffany recorded 05/30/1947 (Transcription record 26-D)

7. Patty on the Turnpike – Tiffany recorded 05/27/1946 (Transcription record 36-D) Dubbed too fast.

8. Ole Buttermilk Sky – Tiffany recorded 08/18/194 (Transcription record 49-C)  Dubbed too fast.

9. Smile Darn You Smile – Tiffany recorded 05/13/1946  (Transcription record 15-B) Dubbed too fast.

10. Hoppin’ Lucy – Tiffany recorded 05/13/1946  (Transcription record 14-B) Dubbed too fast.

11. That’s How Much I Love You – Tiffany recorded 08/18/1947 (Transcription record 45-C) Dubbed too fast.

12. Silver on the Sage – Tiffany recorded 04/15/1946 (Transcription record 4-A)

13. Who’s Sorry Now – Tiffany recorded 05/20/1946  (Transcription record 11-A.) Dubbed too fast.

14. Chicken Reel – Tiffany recorded 05/27/1946 (Transcription record 4-D)

15. Who’s Heart Are You Breaking Now  – Tiffany recorded 04/22/1946 (Transcription record 17-C)

16. Don’t Fence Me In  – Tiffany recording 09/06/1947 Dubbed too fast (In 2014 this track was issued by Real Gone Music, RGM 0244).

This is very intriguing. This song from the original acetate masters has never been issued. When they wanted to make sure a track was never issued (who made those decisions? Bob, Cactus Jack, Cliff?), they would take a grease pencil and mark a circle several times around the track on the master so it would be unusable. They would sometime even carve an “X” in several places in the acetate making it unplayable. The version that came from Cliff Sundin’s acetate master was greased out and you can clearly hear the needle going over the grease marks. It’s a very broadband sound that would be very difficult to digitally remove (update: Real Gone Music did a great job cleaning this track up and issuing it in 2014, but even with their expert cleaning you can hear very subtle remnants of the noise). The intriguing thing is, the version on this CD does not have the grease pencil noise on it but it is definitely the same recording (although dubbed too fast). So the track on this CD comes from a copy of the master before it was marked out. As mentioned above, there seem to be copies of some of the unissued tracks in circulation. Cliff Sundin was very protective of his masters, so we will have to assume that copies were made of the masters for either Cactus Jack or Bob Wills to listen to or for some other reason. Who knows what might be out there?

17. I Don’t know Why – Tiffany recorded  4/8/1946 (Transcription record 20-D) Dubbed too fast

18.  On Alamo – Tiffany recorded 5/6/1946 (Transcription record 29-A) (In 2014 this track was issued by Real Gone Music, RGM 0244)

19. I’ll String Along With You – Tiffany recorded 5/20/1946 (Transcription record 11-D) Dubbed too fast.

20. Roll On Little Dogies, Roll On – (Correct title Cowboy’s Dream)  Tiffany recorded 5/27/1946 (Transcription record 18-D) Dubbed too fast.

21. Sally Gooden – Tiffany recorded 5/13/1946  (Transcription record 5-D) Re-issued on Kaleidoscope F-27

22.  Silver Dew On The Bluegrass Tonight – Tiffany recorded 5/13/1946 (Transcription record 36-A) Dubbed too fast. (In 2014 this track was issued by Real Gone Music, RGM 0244)

23. Sleepy Rio Grande – Tiffany recorded 5/20/1946 (Transcription record 2-C) Dubbed too fast.

24. Travelling Blues – Tiffany recorded 4/22/1946 (Transcription record 17-D) Dubbed too fast. (In 2014 this track was issued by Real Gone Music, RGM 0244)

25. Durangs Hornpipe – Tiffany recorded 5/27/1946 (Transcription record 38-B)

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8 Responses to British Archive of Country Music

  1. Ron Owens says:

    A little aside about the Presto/Crosley Transcriptions. We know they were recorded between January and March 1949 and at least 100 complete tracks were recorded (or at least that’s how many were released). Cattle Records of Germany released those in the late 80s on vinyl and then on CD in 2006. The records are fairly easy to find on eBay and the like but the CDs are not. There is one album on iTunes called “Arkansas Traveller” that features 15 Presto tracks and a Bob Wills interview from the early 60s. It’s short, but can satiate your curiosity about the transcriptions until the rest are rereleased (maybe Bear Family owns the rights now?).

    • admin says:

      Bear Family will not be releasing any new Bob wills box sets. I spoke with Richard Weize of Bear Family a couple of months ago when he was visiting the US. He was not interested in releasing and more Bob Wills boxes. His second Bob Wills box sold poorly and he felt there was little interest in Wills these days.

      I am looking for anyone who has original Bob Wills transcription disc of any era, please contact me

  2. John North says:

    As someone who has enjoyed the Tiffany Transcriptions since the first days of the Kaleidoscope re-issues, I was delighted to come across your great website.
    As to the BACM release, I did ask Dave Barnes who runs the label about the source of his material and he couldn’t remember how he came by them! He did tell me that he thought the source was someone in the US who had the original discs or tapes and he used those tracks not available on other re-issues. He couldn’t recollect who he got them from.
    On the Presto transcriptions, I have seen that the Oklahoma Historical Society have put out an LP./CD of what seems to come from this source. I haven’t heard it anything from it, so can’t say whether it is or not.

    • admin says:

      Thanks for your comment. The Crosley (“Presto”) Transcription release by the the Oklahoma Historical Society comes from the original transcription discs, dubbed very carefully with excellent audio restoration. It was carefully researched and has very nice packaging.They even had the permission and encouragement from the Bob Wills family. It ‘s an excellently done release. My only problem with it is that it’s only available on LP, although it is a superb pressing, I hope it gets released on CD someday so we can hear the music without the limitations of vinyl.

  3. JeffR says:

    The album “Let’s Play Boys!” has been released on CD. As you state, it is an excellent release. My only gripe with it is that Bill Choate’s vocal on “Ida Red” totally lacks presence and, in my opinion, that particular track should’ve been left out and replaced with another one. I’d like to see the Oklahoma Historical Society release another album of Presto/Crosley transcriptions, but I don’t know if economic factors would permit it.

    With respect to Bear Family’s second Wills box set, “Faded Love”, I’m wondering if the poor sales weren’t more indicative of a lack of interest in that particular material than a lack of interest in Wills overall. It appears to me that most of the interest in Wills’s music today is limited to his peak years when Tommy Duncan was the band’s vocalist.

    • admin says:

      I am happy the Oklahoma Historical Society released the album. Regarding the selection of material, every record producer has their reasons for including some track and not others. They have a lot more material and hopefully will release more.

      You may well be right about the reason the second box set released by the Bear Family didn’t sell well. As much of a Wills fanatic as I am, I couldn’t justify buying it. Much of the material had been released on other labels, and much of it just isn’t his best. Some of the best post Tommy Duncan can be found on the still unreleased Crosleys.

      • JeffR says:

        A couple of final thoughts about the Presto/Crosley Transcriptions. As far as I know, this material was first released commercially by Cattle Records (who dubbed them “The Presto Transcriptions”) around the same time that Kaleidoscope Records began reissuing the Tiffany Transcriptions. Since the original masters were in the possession of Casey Dickens, one has to wonder where or how Cattle Records obtained their copies of the masters.

        There were some truly outstanding cuts in those transcriptions. The vocal work was uneven, but Bill Choate, Jesse Ashlock and Tiny Moore did contribute some fine vocals. They may have not been up to Tommy Duncan’s level, but they were certainly more than adequate. After 1949 Wills’s recorded work went into decline, although there were a few shining moments here and there.

        • admin says:

          Talk on the street is that the discs were obtained from Casey Dickens and were quickly (and badly – I might add) dubbed in a hotel room in Oklahoma City. The notes to the Cattle releases say the tapes were supplied by Glen White, so perhaps he was involved with the dubbing. The Oklahoma Historical Society now has all those discs, and more.

          You are right, the vocals on those Crosley recordings can’t match up to Tommy Duncan, but the band is cookin’. Tiny and Herb are really superb, Eldon gets more solos than any other time in his long tenure with the band, and I think Mancel Tierney plays some of the best piano you’ll hear on Wills recordings.

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